Culture
History brutally treated the cultural heritage of the region. Over the centuries many Gothic, Renaissance, Baroque and Neoclassical historic buildings were destroyed or remodelled as a result of wartime devastation as well as the invasions of the Prussians, Lithuanians, Teutonic Knights, Swedes, and Russians. Between 1945-1956 legal owners were removed from their country manors and palaces, the buildings falling into ruin in consequence. The origins of the manorial estates which survived are associated with knights' families, settled there by the sovereigns planning to turn forests and wastelands into habitable areas.
Harmoniously settled in the rural landscape, they represent the Polish variant of the Baroque or Neoclassical style in architecture and park planning. The parks are noble examples of the English garden style (also called the English landscape park style), hugely popular in Europe some two hundred years ago. Residences of this kind can be seen in Kikół, Szafarnia, Dyblin, Ugoszcz, Zaduszniki, Sokołowo, and Zbójno.Successive generations of people, making repairs and reconstructions left their imprint on the architecture. Today these changes are interpreted as symbols of cultural transformations reflected in architectural spatial forms, types of façades , prominent porticoes, and decorative details.Gothic is represented by the ruins of the royal castle in Złotoria (15th c.), the knights' castle in Radziki Duże (1405-1466), the Teutonic castle in Bobrowniki (1398) Go to the photo gallery, churches in Ciechocin, Czernikowo, Lipno, Osiek, Płonne, Radomin, Radziki Duże, Rokicie, Rypin, Siecień, Strzygi, Sumin, rebuilt in the Gothic style. A number of remarkable works of Gothic art have also survived. The masterpieces of the Marian Shrine in Skępe include a statue of the Blessed Virgin Mary Mother of God (1496) and a rare Seraph crucifix (early 16th c.) depicting Christ on the cross, covered with the wings of Seraphs. Among Gothic treasures are also: a 14th-century early Gothic figure of crucified Christ (Radziki Duże), a 15th-century Pieta (Obory), two splendid 16th-century late Gothic statues, reflecting the style of Wit Stwosz (Veit Stoss) (Nowogród).
The legacy of Renaissance in the Dobrzyń Land encompasses the following architectural gems: an interesting Bernardine monastery complex (1508-1524), extended in the Baroque style, renowned for exquisite sculptures and woodcarvings (Skępe), and a church from 1584, with Baroque features added in 1761, housing several valuable paintings (Karnkowo, the property of the Karnkowski family from the 15th c. to 1939). An indication of high artistic standards of the era is given by the superb late Renaissance epitaph of Jan and Jadwiga Karnkowski (1525) of pink marble or a 17th-century wood painting entitled Coronation of the Virgin Mary.
Other art treasures include another wood painting depicting Madonna and Child and late Renaissance church gates (Radziki Duże).The Baroque style is particularly well represented in moumental architecture. 17th-century palaces and manors heavily damaged as a result of wartime ravages were completely reconstructed later. One of the most impressive Baroque buildings is the Carmelite monastery complex in Obory, constructed in stages in 1642, 1694, and 1741 (between wars). Its remarkable interior features many superb woodcarvings and sculptures, including the already mentioned Pieta.The Carmelite monastery complex from 1710-1718 in Trutowo, whose highlights include many works of Baroque art, is also worthy of attention. The churches in Działyń (1600) and Sadłowo (1752-1756) as well as the chapel in Grodzeń are also Baroque.
Years 1735-1793 and 1818-1830 (up to the outbreak of the November Uprising) brought peace and revival of the Polish culture. This period was marked not only by the reconstruction and renovation of many country manors, but also by the construction of new ones. 30 out of 37 palaces and manors which have survived are Neoclassical, the remaining seven are eclectic. Only a few forest stands with centuries-old nature monuments remained of the old landscape parks established at the end of the 18th c. or in the first half of the 19th c. Worthy of attention are palaces in Długie, Kikół, Sadłowo, Steklin, Ugoszcz, and Zbójno and manors in Bocheniec, Dyblin, Obrowo, Rusinowo, Steklin, Sokołowo and Zaduszniki. Neoclassical churches from the first half of the 19th c. in Szpetal Górny, Sobowo, Dobrzyń on the Drwęca (now the southern part of Golub-Dobrzyń), and Skrwilno are also of historical and architectural interest. Historicism (referring to the styles prevailing in past epochs) in secular and ecclesiastical architecture dominated in the period between 1865 – the early 20th c. The buildings completed in this time displayed neo-Romanesque, neo-Gothic, and Neoclassical features or combined elements of different styles (eclecticism).
In the Dobrzyń Land neo-Gothic churches were founded in Kikół, Mazowsze, Nowogród, and Sumin (originally from the 14th c, rebuilt in the neo-Gothic style), pseudo-Gothic churches were founded in Chełmica Duża and Moków and eclectic churches were founded in Gójsk, Ligowo, Zaduszniki, Trąbin, Świedziebnia, Tłuchowo, and Rogowo.
The temples house valuable masterpieces saved from the old buildings.Polish cultural heritage includes the architecture of wooden churches, a vital component of the rural landscape. The oldest presersved wooden church in Studzianka dating back to 1704 is followed by churches in Czarne, Dulsk, Szczutowo (filial and parish), Młyniec, Łukomie, Chrostkowo, Grochowalsk, Wielgie, Ostrowite, Księte, and Brzeźno from the 18th c. These modest shrines shelter superb paintings and polychromes, the most interesting of which can be seen in Czarne and Chrostkowo.Over the centuries the Dobrzyń Land has produced many outstanding scientists and artists, including the following:
